The palette now follows Oxide's design system (docs.oxide.computer): a cool
neutral scale at hue 260 with almost no chroma, opaque strokes, and Oxide's
green as the only accent. The accent-color option is gone: selection, the
cursor row, focus rings and the active-panel line all read green.
The file panel's header strip now steps toward the list, one shade per row
(session strip, path bar, column headers), derived by color-mix so every
theme, AMOLED included, follows on its own.
Everything is square: every rounded utility and the radius tokens are gone,
and checkboxes, radios, selects, number spinners and scrollbars are
restyled to match (square scrollbars are always visible on macOS, the cost
of styling them).
Co-Authored-By: Claude <noreply@anthropic.com>
The tab-bar popover had outgrown itself. Settings now open in their own
native window (a fourth window kind, built like the connection manager but
not modal): a sidebar with Appearance, Transfers, Editor, File list and
About, holding every popover row plus the visible-columns choice. Each
control is an ordinary settings save, so the other windows follow live
while it stays open.
The gear button in the tab bar, Ctrl+, and the macOS app menu's
"Settings..." (Cmd+,) open it. On macOS Cmd+W arrives as the main window's
close-tab menu action, so bun closes the focused Settings window first
instead of a main-window tab.
Co-Authored-By: Claude <noreply@anthropic.com>
jgamboaandClaude